The
Case of Empathic Media in Advertising
My take
on this seminar topic stems from what I term ‘empathic media’. Developed in my
recent book Privacy and Philosophy: New Media and Affective
Protocol (2014), this
odd sounding expression has less to do with sympathy, but technologies able to
interpret people and their environments by means of text, images, facial
recognition, speech, behaviour, gesture, skin responses, respiration and bodily
movement. Each of these involves mediation of emotional transparency by means of arousal, social-semiotic
practices and behaviour.
This is
a relatively new dimension to the transparency surveillance question that will
become more pronounced as smart cities discourses are increasingly realised.
For a tangible example, this year M&C Saatchi has
tested advertising billboards with hidden Microsoft Kinect cameras that read
viewers’ emotions and react according to whether a person’s facial expression
is happy, sad or neutral. This is the first example of artificial intelligence
(albeit a limited sort) being used in urban environments.
At
this stage very little data is being collected but this information will be
very useful to the media owners so to chart performance of the media sites
across cities. This information will surely be irresistible to authorities.
Bioreactive empathy was also evident at Wimbledon this year. In partnership with Wimbledon, Maido and Lightwave, Mindshare
launched a campaign called Feel Wimbledon.
This captured moods and emotions of the
Wimbledon crowd by
means of heart rate variability, localized audio,
motion and skin temperature of 20 fans in the crowd, via sensor-equipped
wristbands. This allowed Jaguar to create ‘living ads’ by means of visualising
fluctuating emotions.
This provides us some foresight into the implications of
wearables. Feel Wimbledon received
full consent for participants, but if (and I admit it’s a big if) wearables become embedded in everyday
life, emotionally sensitive empathic
media will grant advertising greater insight into our emotions through how we
speak to our mobile devices, more granular facial recognition and emotional
insights derived from our heart rates, respiration patterns and how our skin
responds to stimuli. A bit weird I know, but we’re already a good part of the
way there.
Most notably with the M&C Saatchi campaign, the artificial intelligence part comes in
as soft biometric feedback from viewers provides data by which ads improve
themselves (for example by using elements that win smiles rather than
grimaces).
As it stands, empathic media do not
require personal information. This fact means that data can be more easily
collected, processed and shared. Although there are right and proper questions
to be asked about re-identification and whether it can truly be separated from
personally-identifiable information, the industry is betting big on the fact
that it can be bundled as ‘non-spooky’ because it is legally compliant. This
presents an interesting conundrum because data protection and privacy concerns
are typically based on the principle of identification, not intimacy.
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